Download PDF Tempest: Shakespeare at Stratford SeriesFrom Arden Shakespeare
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Tempest: Shakespeare at Stratford SeriesFrom Arden Shakespeare
Download PDF Tempest: Shakespeare at Stratford SeriesFrom Arden Shakespeare
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The Arden Shakespeare, in association with the Shakespeare Birthplace Trust, presents a new series of volumes on Shakespeare's plays in performance. The series discusses and analyses the wide range of theatrical interpretation stimulated and provoked by the most frequently performed plays. Each volume explores how different directors, designers and actors have interpreted and adapted an individual play in terms of narrative focus, themes and characters, scenery and costume. The focus is on productions at Stratford-upon-Avon since 1945, on the basis that the record of Shakespeare performances at Stratford's theatres offers a wider, fuller and more various range of interpretation than is offered by any other theatre company. The volumes also set this record in a wider geographical and chronological context by means of a historical overview of earlier productions and of productions beyond Stratford. Published in conjunction with the Shakespeare Birthplace Trust, each volume features a wealth of photographs (many of them not previously seen in print) drawn from the archive of RSC performance materials held in the Trust's library at the Shakespeare Centre in Stratford. Shakespeare at Stratford will surprise, inform and delight both students and scholars of Shakespeare and performance history and the general reader with an interest in theatre.
- Sales Rank: #4547464 in Books
- Published on: 2003-04-24
- Released on: 2003-04-24
- Format: Bargain Price
- Number of items: 1
- Dimensions: 7.85" h x .52" w x 5.07" l,
- Binding: Paperback
- 288 pages
Most helpful customer reviews
1 of 1 people found the following review helpful.
Useful for Stagecraft Research
By M. R. Sullivan
This book is a helpful resource in understanding Shakespeare's most special effects-heavy play. The pages are full of well-produced images, which depict the various ways in which 'The Tempest' has been staged at Stratford over the last 50 years. It is especially interesting to see the different interpretations of Caliban. In some instances he is the traditional neolithic brute, smeared with green paint and wearing shabby loincloths. In more avant garde performances he dresses and acts a man, and in one Freudian interpretation he dresses like Prospero in an effort to depict a split personality. It is also interesting to see how different directors have tackled Ariel's final silence when Prospero unfetters him. In one case he kisses Prospero; in another he spits in his face. The various interpretations are helpful in imagining how the play would have been staged at the Jacobean court, pandering to the ruling class, as opposed to The Globe, in which the political subversion of the play could come out.
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